Having gone missing seven years ago, the previously blind Prairie returns home, now in her 20s with her sight restored. While many believe she is a miracle, others worry that she could be dangerous.
I don’t like to write bad reviews. Mostly because I appreciate ALL THINGS TV. But, um… I feel compelled to share my opinions about this series. I actually hated the 1st episode. HATED. However, I have a personal policy to give each new show a MINIMUM of two episodes. And I was glad that I did. Because at the end of the second episode I thought we might really be onto something.
Sadly, that was not the case.
At no point, during the entire season did I feel any empathy or any connection to any of the characters. In fact, the leading lady made me want to stab my own eyeballs with rusty scissors. And while some of the co-stars almost convinced me there was a real story line, I was ultimately disappointed. It was slow. It didn’t go anywhere. And the finale shit the bed.
It COULD HAVE BEEN incredible because the idea was great. But the casting, acting, and overall story lacked emotion and momentum. Toward the end I found myself fast-forwarding just to get it over with already.
The series explores the experiences of Leah Remini and other former members of the Church of Scientology. The Church of Scientology is extremely critical of Remini, and the show, and established a website attacking both.
Many people have confused me as ‘That Girl’ from “The King of Queens.” Mostly because of the way I speak and less because of the way I look. However, when I was in my twenties, people said we could be sisters. And I liked being compared to her. And maybe we could pass as sisters from another mister?
Over the years, our so-called-similarities drew me toward her as an actress.
And then I fell in love with her.
Alas, I had NO IDEA Leah is such a fearless warrior.
The first few episodes are filled with information the public basically already knew. But, each episode unwraps another layer until you start to realize this is some kind of cult craziness. Like Charles Manson – cult crazy. Only, it’s not just a few hundred Manson followers. It’s David Miscavige and a few MILLION followers. Like, Nazi Germany’s HITLER – cult crazy.
From sexual abuse, forced abortions, and the purposeful separation of husbands and wives, to brainwashing, and beatings – I’ve never cried so much while cheering for those who’ve ‘escaped’ even when it cost losing their entire families.
Episode five opened my eyes in a way that would not have been possible without this series. Watching Leah literally get stalked, harassed and intimidated – BY THE CHURCH – is not only alarming and scary, but it defines her level of bravery because she refuses to back down and it only makes her dig even deeper into their corrupt and controversial ways.
I truly believe this series is actually protecting those who have spoken out against the church, because now they are on record, and on national television.
And DON’T EVEN GET ME STARTED ON THE “SEA ORG” BECAUSE HOW IN THE BLUE FUCK IS THAT REMOTELY OKAY, OR EVEN LEGAL??? How is a 14, 15, or 16 year old capable of signing billion year contract. Yes, you read that correctly. A BILLION year contract. WTF? NO.
I have never been more fascinated or impressed with such a celebrity. At least not in a very long time. Here is a woman – IN HOLLYWOOD – using her celebrity to SAVE/HELP other people: women, men, children, families, and other unsuspecting individuals, from an inevitable demise. Rather than promote/market the latest fashion craze, or build an unnecessary empire with a new perfume line. She is choosing to put her privacy and her safety on the line – merely to expose one of the most dangerous cults of our time.
I raise my glass and tip my hat, to you, Leah Remini!
The Killing Season is a documentary about one of the most bizarre unsolved serial killer cases of our time. It primarily focuses on the deaths of ten sex workers discovered on Gilgo Beach, Long Island. Authorities believe these killings are the work of the Long Island Serial Killer, LISK, who remains at large, to this very day.
Now y’all know I LOVE serial killing, murder, crime, suspense, and thriller TV. Give me documentaries – on that very subject – such as ‘Making A Murderer’ and my heart will skip a beat.
While this ten-part A&E special IS very interesting, it’s not exactly what I was hoping for. The first three episodes had me on the edge of my seat. But, then? Things took a weird turn and stopped focusing on the Gilgo Beach, murders.
I fully appreciate why things took such a drastic turn. And I fully appreciate learning about how many potential serial killers may be at large on any given day. Moreover, I felt an enormous sense of sympathy toward the targeted victims – all sex-workers – because other than their immediate families, and these two documantarians, NO ONE ELSE seems to give a shit about finding these missing woman. NOT EVEN THE POLICE. And no one is trying to figure out the possible connections between any these murders, or serial killing patterns.
Even though I was hoping/expecting for something COMPLETELY DIFFERENT – like some sort of resolution, or new information leading us toward a definitive suspect as the LISK – this documentary still shinned a necessary light on the horrors I can’t even begin to imagine. And it makes me question, a lot, about police protocol and procedures.
Also? Thanks to this show, I am currently addicted to scouring THIS website.
Inspired by true events, the series follows a group of young female researchers in 1969 at ‘News of the Week,’ as they embark on their revolution journey for equality in the workplace. One small step becomes one big movement that sparks change and upends marriages, careers, sex lives, love lives, and friendships.
First of all, I love anything ‘Period Piece’ so when a show like this comes along – set in 1969/1970 – I HAD to check it out. After just one episode I fell completely in love with every single character.
This is sort of like the series ‘Mad Men’ in that it deals with women issues of that generation in the workplace. Except it’s not about advertising. It’s about a News magazine. The music, the clothes, the makeup, the hair, and the jewelry are incredibly FABULOUS. The set is also perfection. You are literally transported back in time. From the vending machines, phones, typewriters, and old Taxi’s, the scenery make the series feel genuinely authentic.
The main character, Patti Robinson, is full of fire and gusto. She’s a rebel, beat-nick, hippie – passionate about her job, yet desperately wants to be more than just a researcher. She wants to become a reporter. But the magazine doesn’t allow women writers. Still, Patti busts her ass – using her resources and connections, even catches a secret midnight flight to California, to cover the story of the violence at the Altamont Festival. However, that story will NEVER credit HER work. This aspect of the job infuriates Patti which immediately causes her to form a deep connection with fellow researcher, Nora Ephron. Yes, THE NORA EPHRON who is all about fighting for women’s rights and introduces Patti to a black, pregnant, ACLU lawyer, named Eleanor Holmes Norton. There’s also an aspiring novelist, Cindy, who works in the newsroom before she is supposed to settle down and have a family, or will she finally discover herself and completely change her life path? And lastly, Jane Hollander, the proper lady expected of women in the sixties, resistant to any type of metamorphosis, at least, at first.
These women are fantastic. The cast is CRAZY good. It’s incredible to watch them come of age, so to speak. The challenges and changes they make in their personal lives and for society as a whole. I’m sure ANYONE who actually grew up during this time will also appreciate this series.
But here’s what I don’t understand.
Amazon decided to CANCEL this series.
Seriously, Amazon? WTF. You’re wrong.
Good Girls Revolt creator, Dana Calvo, says Amazon didn’t care about the show, Amazon disagrees.
I REALLY hope ‘The Revolution’ will be televised elsewhere, as THR also reports. ABC, Freeform, USA Network, Bravo and Hulu are all eyeing the series for a second season. Yes, please! Whoever picks this series up I will be there to watch!
Freshly released from prison, Marius, played by, Giovanni Ribisi, takes cover from his past by assuming the identity of his cellmate, Pete. After realizing he can’t go home, Marius moves in with Pete’s estranged and unsuspecting family, quickly wriggling into the family’s bail bond business. He’s a criminal taking down other criminals. But maybe, in the process, he will discover the family life he’s never had and always wanted.
SPECIAL NOTES = Via Wikipedia:
In November 2014, CBS gave a production commitment to Sneaky Pete. And a formal pilot for the show, shot in New York, in March. In May, CBS decided to pass.
Later, it was reported the pilot might move to cable networks, with many expressing interest. In June, it was reported that Amazon was in negotiations to pick up the show with some tweaking and possible minor re-shoots before being made available to the viewers.
The pilot was released on Amazon on August 7, 2015 – and after viewer votes – was ordered to series on September 2015. The latest news regarding the release of episode 2 and the rest of the series appears to indicate that Amazon will have shows available in January 2017. 
So, I watched S01|E01 without knowing ANY of the information above. Didn’t watch a trailer. Didn’t Google. I went into this series completely blind.
And loved it.
I loved the premise, the actors, the writing, the whole nine.
A six-part comedy series adapted from the award-winning play about a young woman trying to cope with life in London whilst coming to terms with a recent tragedy.
Normally, I give any/all shows at least one full episode. If they have potential, two full episodes. But, if I’m not hooked by then? I’m out.
There have also been times when I’ve REALLY tried to FORCE myself to like a show, like: Game Of Thrones, The Walking Dead, and, Boardwalk Empire which I’ve dedicated two whole seasons before giving up, running away, and never looking back.
This show does not fall into either of those categories.
Sadly, I did NOT make it past the first six minutes. I have NO IDEA what tragedy the main character is trying to come to terms with and I have no idea if this show has the potential to be amazing – because I couldn’t last long enough.
And here’s why….
1. Usually, I enjoy random commentary [where the lead speaks to the camera as though the other characters aren’t even there]. But what I couldn’t handle was the incessant commentary. And by incessant, I literally mean every.two.seconds. To the point where you can’t even watch a five-second-scene without listening to the girl pontificate about what we’re already watching with our own eyes!!! Beyond overkill. No thank you.
2. We all know sex sells and it’s even necessary for certain plot lines; and I am not a prude, but I’m not really a big fan of sex scenes. In fact, seven years ago, I almost quit watching Shameless because there was way too much sex and not enough story lines. However, sex scenes, for a good reason: love, passion, heartache, heartbreak, ect… = TOTALLY AWESOME! * As long as it’s NOT just for ratings. And as long as it’s not just for shock value.
Within 30 seconds of this show, not only is the main character a blabbering, pontificating, windbag, she takes it up the ass from a booty-call. Which I guess might be the TRUE definition of a “booty-call” – merely for shock value, or, simply to make the already ‘trying-too-hard’ show seem intriguing.
And that’s just not my bag. And it’s not how to captivate MY personal interests.
Shit, I’d rather just watch porn. With less talking!
Although, the critics totally disagree with me [see below], and you might too.
So, if you’re into excessive explanations and watching ‘G-Rated’ drunk, lousy, anal sex? Have it at!
With so much else to watch and write about, I truly don’t have the time for this nonsense.
Do NOT Recommend.
Fleabag is a six-part British comedy television series set in London. It was produced by Two Brothers Pictures for digital channel BBC Three and in a co-production agreement with Amazon Studios. The show premiered on 21 July 2016. Phoebe Waller-Bridge writes and stars as the main character, Fleabag, a young woman attempting to navigate modern life in London.
Fleabag has received positive reviews. Metacritic gave it an 88 score, with Emily Nussbaum from The New Yorker calling it “a precision black-humor mechanism, a warped and affecting fable about one single woman’s existence.” Mo Ryan at Variety calls it scathingly funny. Mike Hale in The New York Times praises the show for its “restless, almost feral energy and its slap-in-the-face attitude.” Tim Goodman from The Hollywood Reporter sees the show as “heralding a very distinctive new voice on television.” And Alan Sepinwall from HitFix describes the show as “something achingly beautiful.”
But every once in awhile? We get lucky. Every once in a while, there comes a show; so brilliant, so compelling, so real, so honest, so raw, and so poignant – you will laugh out loud and ugly cry all at the same damn time. And THIS is that VERY show.
From the first episode with the craziest plot twist – a plot twist NO ONE WILL EVER SEE COMING – all the way through the Mid-Sesason Winter Finale with the craziest plot twist – a plot twist NO ONE WILL EVER SEE COMING! UM!! OMG!!
You will fall in love with every character, even if you don’t want to. You will be forced to feel ALL OF THE FEELS, but in a really good, cathartic kind of way. Seriously, keep a box of Kleenex handy. And you will THANK THE SHOW for making you experience all of the feels. You will be left thinking, laughing, crying, and hugging your own chest. Hell, you might even hug those closest to you even more. I know I have.
And … If not?
You’re clearly not human.
And you have no soul.
* Honestly, this show comes with my HIGHEST RECOMMENDATION.
I just hope the writers & network, keep up with the pace & fabulousness of this show. Because right now? It’s nothing short of phenomenal.
PS: This show is sort of like the old network show, Parenthood, only on STEROIDS. And the only cable comparison has to be my all time FAVORITE Showtime series, SHAMELESS. Yeah, it’s like that. Just not as ‘raunchy’
British crime/drama series filmed and set in Northern Ireland.
Two hunters. One: cold, deliberate, and highly efficient. The other: strong, athletic, and married with children. One is a serial killer and the other is a cop.
Okay, so, um, yeah….
I have OBSESSED over this show ever since it premiered a few years back. However, almost a year passed between seasons 2 & 3. After watching the first half-hour of the season three premiere, I forgot what happened in the previous seasons. So if you have a bad memory, like me, may I suggest watching the last two episodes of season two – like a refresher course – before starting season three. Because season three LITERALLY picks up EXACTLY where season two ended.
Filmed in Northern Ireland, this British crime drama will grab you immediately. The relationship between police detective Stella Gibson (Gillian Anderson) and the serial killer Paul Spector (Jamie Dornan) is nothing short of dynamic. It’s sooooo much deeper than your typical ‘good against evil’ or ‘light against dark’. The way she gets inside of his head, and the way he gets inside of her head, gets inside YOUR head and the psychological thrilling never ends. While she’s hunting him, he’s hunting his next victim, all the while taunting her. And maybe – in the end – just maybe, these two aren’t as different as they think they are.
Season three is a lot more graphic than the previous seasons – especially the hospital scenes. So. Much. Blood. You’ve been warned. There’s also less dialogue this season and more thought provoking actions than before. Some people thought this season too ‘slow’ but I completely disagree! In fact, I watched all six episodes in one sitting because I COULD NOT WAIT to find out what was going to happen next. Without giving anything away – I found myself screaming at the television, several times, uncontrollably. Luckily, all of my questions were answered before the finale.
For a really killer review WITH SPOILERS click HERE!
The Fall received positive reviews from critics. Both the first and the second season received a rating of 100% on Rotten Tomatoes. The third season has a rating of 75%. The first season has a score of 81 out of 100 on Metacritic, indicating “universal acclaim”. The third season has a score of 60 out of 100, indicating “mixed or average reviews”.
A dark comedy about four twenty-somethings entangled in a mystery when a former college acquaintance goes missing.
I absolutely adore the main character, Dory, played by Alia Shawkat, mostly because I’ve loved her since her role on Arrested Development. But in this series, she’s much more awkward and totally desperate to find her purpose in life – especially when her old college friend shows up on a Missing Persons flyer.
Dory is convinced something terrible happened but refuses to believe Chantal is dead. Dory wrangles three friends to help find Chantal. These four self-absorbed, clueless, millennials come together to help search for Chantal. On their quest, the find themselves dealing with pseudo intellectuals, private investigators, wannabe artists, and even a cult!
The series consists of 10 episodes but they’re only a half-hour long. And because this series isn’t super heavy, or crazy intense, it’s very easy to watch the entire season in one day. Like I did.
I won’t spoil the ending, but it’s definitely a doozie! They ended the season properly, but left the door slightly open for another season. And I truly hope there will be another season.
Doctor Anna Macy finds herself inexplicably linked to the disappearance of two girls, fifteen years apart.
Filmed in Tasmania – an island state of the Commonwealth of Australia – Anna Macy is a highly-regarded doctor, working at a hospital in London, suffering from headaches and frequent memory lapses. After one of her black-outs, she wakes up back in her hometown, Kettering. She left the town 15 years prior, after the mysterious disappearance of her best friend, Gillian. Upon her return, another girl goes missing, forcing Anna to search for the truth about both missing girls.
I am a HUGE fan of Australian television, so I went into this with high hopes. The first seven episodes are truly phenomenal. Gripping. Chilling. Mind-bending. I loved those seven episodes so much that I went back and re-watched them with My Love so that he wouldn’t miss out.
And then? The season finale?
SHIT. THE. BED.
Absolutely, THE WORST finale, EVER!!!!!!!!!!!!!!!!!!
In fact I was FURIOUS I had wasted sooooo much time on a series that completely dropped the ball and screwed the viewers out of something that could have been incredible. And, they left way too many loose ends. I was left with more questions than answers.
I’m not the only one who feels this way. Moreover, as of now, there will NOT be another season. So viewers are left hanging, forever.
So, if you have 8 hours to waste, only to be sorely disappointed, then knock yourself out. Otherwise, sadly, this show is an epic fail. Don’t waste your time.
The Kettering Incident is an Australian television drama series screening on Foxtel’s showcase channel in Australia on 4 July 2016] It is created by Victoria Madden and Vincent Sheehan, produced by Porchlight Films and Sweet Potato Films and written by Victoria Madden, Louise Fox, Cate Shortland and Andrew Knight.